So much of our lives as women, we battle with our bodies and unrealistic beauty standards all around us. Lazarus makes the poetic comparison between birth markings on womens' bodies and the effects of nature in our universe. We are inspired by the beauty of swept sands, aging trees or layers upon layers of rocky sediment, yet the marks of stories and creativity on post-birth bodies are often erased by cosmetic surgery or hidden, and called ugly.
Sometimes, simply the visibility of our beauty and diversity can help us reframe our perception. May you come away with a fresh perspective on birth markings as well.
From the filmmaker, Margaret Lazarus:
The idea for this project began percolating in my mind when I learned that the fastest growing plastic surgery for women was the post-birth tummy tuck. I started to think about what it means that we want to erase the signs of something so important and profoundly creative as giving birth. I wanted to explore this with women of different ages, backgrounds and experiences. BirthMarkings is a result of this exploration. I saw that so many of us internalized negative messages about our post-birth bodies, but that images of the passage of time, and the impact of physical forces on earth, trees, sand, stone and in space could be seen as beautiful. I wanted to reframe the image of the post birth body in this way. When I talked about this project I was overwhelmed by the number of women who offered to show me their stretch marks and scars and wanted to be part of this film. One of the biggest challenges was to select only some of their stories. Through the making and the showing of this film at festivals and in public spaces, I am continually reminded about how powerfully women are affected by the commodification of our bodies and how important it is to relate what happens to our bodies after we create life to the beauty of the natural world.
Camera/Editor: Sarah Ledoux, Producer/Editor: Renner Wunderlich, Still Photography: Tricia O'Neill
About the Author
Margaret Lazarus is an author and documentary filmmaker. With her partner, Renner Wunderlich, she has produced and directed over 20 films including: the Academy Award winning, "Defending Our Lives"; the groundbreaking "Rape Culture" and twenty five years later, its award winning update "Rape Is"; the original "Killing Us Softly" and "Still Killing Us Softly" which were two of the most widely used documentaries in academia; festival award winners "Strong at the Broken Places," "The Strength to Resist," "Pink Triangles," "The Last Empire," "Eugene Debs and the American Movement," "Life's Work," "Not Just A Job," "Taking Our Bodies Back," and others. She created the UN General Assembly film presentation "Women's Rights: Human Rights." For several years she was a senior lecturer at Tufts University teaching Producing Film for Social Change. She is a coauthor of the chapters on violence against women in the many editions of Our Bodies, Ourselves and has published numerous op-ed pieces and journal articles. She has two sons, whose births began her journey towards "BirthMarkings."
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